This issue once again reflects the COVID restricted nature of our times. Performances are on-line but show signs of adapting to the restrictions of form. We feature reviews of five different approaches to the problem and interview actor Marty Rea about his experience in the live broadcast of Happy Days. New Beckett Society President, Laura Salisbury, outlines her approach to the new challenges, and as well as our regular book reviews and news, we have another gem of an interview from James Knowlson’s trove of material.
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Masthead Photo: Portrane, Dublin. ‘The place was full of towers … the red ones of the asylum, a water-tower and the round’ ‘Fingal’ (Pic: F Ó Faoláin)
The Samuel Beckett Society 